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The Broken Vow by Luisa A. Jones
Published: 22nd January 2024
Showing posts with label Allison & Busby. Show all posts
Showing posts with label Allison & Busby. Show all posts

Monday, 11 November 2019

REVIEW: Stealing Roses by Heather Cooper (ARC)


Stealing Roses by Heather Cooper
Genre: Historical fiction, romance
Read: 10th November 2019
Purchase: Amazon
(publication: 24th October 2019)

★★★★ 4.5 stars

I requested STEALING ROSES on a bit of a whim upon reading the premise which sounded like a delightful breath of fresh air. Indeed I was not wrong. An easy read, which I devoured in two sittings lost within the Victorian era of such social considerations of which would be so strange to us today.

A gentle Victorian romance, STEALING ROSES is populated with a delightful (and some not so delightful) cast of characters set upon the Isle of Wight in 1862. It was a time when a woman's sole purpose was to marry and produce children, with a prestigious marriage to a someone of substantial wealth considered most advantageous.

This is the predicament in which Eveline Stanhope finds herself. As the youngest of three girls, Eveline is on the cusp of spinsterhood at the tender age of 19. Her mother, Adelaide Stanhope (but more referred to as Mrs Stanhope throughout), has designs on a marriage between the nephew of one of the more respectable families, Charles Sandham, and her youngest daughter. But Evie is a girl of independent spirit which sets her apart from her older sisters with her forward thinking and modern ideas. She doesn't see marriage as her only option nor does she see spinsterhood a failing, for she believes women should have the power to choose their own destiny...even if that means being happy and alone, tied to a loveless marriage or even working for a living.

But not everyone is as modern in their thinking...her mother nearly fainting from the sheer distress of such an idea (someone pass the smelling salts!) and instead attempting to find a respectable match for her through a volley of dinner parties, garden teas and various other social engagements, where two suitors catch her attention. Charles Sandham and railway engineer, Thomas Armitage. Whilst her mother sees a marriage between the socially acceptable and wealthy Charles an attractive venture, Eveline finds herself somewhat drawn to the rather unaffable Thomas...without even considering the idea of marriage. She has far more important ventures to pursue. And yet she each time she comes across the reserved Thomas, she still catches herself with thoughts of him.

Eveline's older "married" sisters, Louisa and Beatrice, are always on hand to offer advice regarding such important issues as lady's maids, hairstyles, clothing and its various accessories. But Eveline feels the confines of her sheltered life is almost like a prison, particularly when her mother strictly forbids her to visit the "Professor of Photography" shop, where she and her maid Jennie spent hours learning about the art, as well as the swimming lessons Jennie had been giving her. Why should a man have more freedom to do the things she herself would like to do? But as her sisters wisely pointed out, she will have far greater freedom once she is married...as if marriage were the answer to everything!

And yet her mother is secretly hoping for a union between Charles Sandham and her youngest daughter to happen quite soon. When Eveline takes herself off to London on a private family matter, Mrs Stanhope has no qualms in letting slip the hotel in which she is stayed to the charming Charles, who claims to have some business to attend to in the capital and promises to look in on Eveline whilst he is there. Moreso, he gives Mrs Stanhope the assurance that he will accompany Eveline back home, to which she is most agreeable. She is so sure than an engagement will be announced upon their return that she confides in half the town on the intention.

But Eveline is not to be swept off her feet by the charms of Charles Sandham. In fact, whilst she is most polite to him she wishes nothing more than to escape his presence at the earliest opportunity. But while the cat's away the mice will play and Charles has other ideas. Strong in spirit, Eveline puts him in his place but not before she feels the sting of his hand and anger of his rage. The next morning she is at the station for the first train to escape his path but he soon catches up with her and when they disembark the steamer on the Isle, Eveline is disheartened to see the darkness fall across Thomas Armitage's face when he catches a glimpse of her with Charles. By the time she disentangles Charles' hand from her arm, Thomas has already looked away...and Eveline is surprised to find herself distressed by the whole thing.

When Eveline arrives home to find her mother has her already engaged to the unsavoury Charles, she realises she has no alternative but to regale her mother with the events that took place in London. At first, she refuses to accept such a thing and then she assumes that Eveline must have done something to provoke him...but finally, the following day, Mrs Stanhope concludes that her daughter is telling the truth. And then the prospect of having to face such humiliation after already marrying the couple off, Mrs Stanhope concedes to simply ignore it.

But alas, as in all good historical romances, it doesn't end there. It isn't long before we see Eveline giving herself the extra freedom she so longs for, albeit secretly, as she and Jennie's friendship remains steadfast long after the young girl had left the Stanhope's employ. And thereto Evie finds another type of freedom encountering Thomas Armitage once again. But no sooner does she find herself and love at the same time, does she also learn of heartbreak and a sadness she never thought she could feel after her father's death. In the ensuing chapters, we see Evie pining and mope about before anticipating a satisfying ending.

But will Evie find her happily ever after?

A simply delightful read, STEALING ROSES is a leisurely stroll through the Victoria era of romance and etiquette. But if one anticipates this to be an enthralling tale of romance...it is here, but sparingly. STEALING ROSES is more about Evie's journey...where she feels restricted by all that is expected of her class and longs to have the same freedoms afforded to those of lower classes. She may be the youngest of the three Stanhope daughters but in some ways she is far wiser than her older siblings. If she is to marry, and it wouldn't be the end of the world if she didn't, then she desires someone to support her and share in her views as not only a woman but as an equal. Forward thinking for the Victorian age, and not widely accepted. But Evie found a way to make her mark.

I thoroughly enjoyed STEALING ROSES, and the only thing keeping me from rating it 5 stars was the ending...as I felt it a little too abrupt to be in line with the rest of the story. I would have preferred to see a happy ending peter out into a satisfying conclusion. But it is still a delightful read and incredibly enjoyable.

The best way to simply describe STEALING ROSES to other readers, I feel, is that it is a kind of "Jane Austen meets Downton Abbey".

Definitely recommended for fans of historical fiction.

I would like to thank #HeatherCooper, #NetGalley and #AllisonAndBusby for an ARC of #StealingRoses in exchange for an honest review.

Monday, 10 June 2019

REVIEW: Tell Me You're Mine by Elisabeth Norebäck (ARC)


Tell Me You're Mine by Elisabeth Norebäck
Genre: Psychological, domestic thriller
Read: 9th June 2019
Purchase: Amazon
(release date: 20th June 2019)

★★★★★ 5 stars

Originally released in her native language, TELL ME YOU'RE MINE is Elisabeth Norebäck's domestic suspense debut set in Sweden. A slow simmering suspenseful tale, the story surrounds three women whose lives ultimately collide with unrelenting force. Stella, who believes she has found her long lost daughter, Kerstin who is terrified she's about to lose her child, and Isabelle who is determined to understand who she truly is.

Stella Wildstrand, now approaching 40, is a successful psychologist and psychotherapist, married to Henrik and together they have a 13 year old son Milo. But Stella's life has not always been so rosy. Twenty years ago, she had a daughter, Alice, who disappeared from her pram whilst on holiday. Everyone thought Alice had drowned - that she had somehow gotten out of her pram and fell into the swirling waters and drowned. But Stella has always believed that someone took her daughter. And despite there being a gravestone marking her name, Alice is not buried there. Her body was never found.

Stella went through years of harrowing torment, aching and longing for her child. She suffers immense guilt at leaving Alice alone for just a moment as she slept. And a moment was all it took for her baby girl to disappear. Her grief is palpable as she mourns her every day. Ten years ago she believed she saw her in the street...but maybe she just imagined it. Although Stella moved on with her life, somewhere deep inside she continued to believe that Alice was still alive.

When 22 year old Isabelle walks into her office for therapy, Stella is speechless. Isabelle is the image of Daniel's sister with her raven black hair, elfish ear and even the same dimples. Stella begins to wonder if she sought her out on the pretense of needing therapy. But Isabelle is seeking answers to the mystery that is her confusing life on a journey to discover who she really is. She has grown up in complete isolation with her mother and the man she thought was her father. When he died suddenly, her mother cruelly informed her that he wasn't her biological father. Isabelle was devastated. She adored her father and was shattered when he died and now her mother has taken away that one lasting link between them with those words.

Moving from her isolated existence in Borlänge to study in Stockholm, Isabelle gained a new independence. One she had never known before. She moved into a flat with one her friends from college, Johanna, and even began to explore the idea of a relationship with the handsome Fredde. It was all new to her, having been sheltered from anything resembling romance or independence. In a bid to learn who she truly is and to break free from her mother's demands, Isabelle begins therapy with Stella.

And then there is Kerstin Larsson, Isabelle's mother, who is desperately trying to hold on to her daughter as her life crumbles to pieces around her. Kerstin appears to go to great lengths to keep her daughter and sets about trying to encourage her to return home.

Little did any of them know just what wheels were set in motion and the train wreck it would all become.

The lives of Stella, Isabelle and Kerstin all collide with a deadly force and spirals out of control in a way that is both shocking and heartbreaking.

But for Stella, strange things start happening. She sees a hooded figure standing outside their home but when she tells Henrik, the figure has gone. She receives her own "death notice" in the letter box. She gets phone calls about Milo which send her into a panic - calls for which no one claims responsibility. She is reported for inappropriateness and stalking and the police question her. Then Milo is involved in a hit and run where the driver refused to stop...but as he had Stella's bright red umbrella with him, it becomes clear the target was Stella. But no one believes her.

Everyone believes Stella is unbalanced. That she is delusional. Sometimes she wonders if she is too. But she firmly believes with each passing day that Isabelle is really Alice and that Kerstin took her when she was just a year old. Why? She has no idea. How? Even less so. Henrik grows increasingly worried about his wife as she begins behaving strangely, becoming secretive and taking mysterious trips to support her unfounded belief. He ponders whether to have her committed again.

But where is the line between hope and madness?

But one thing is for sure...even when you think you know what happened, you will continued to be shocked.

The plot for TELL ME YOU'RE MINE is excellent. I cannot fault it at all. Some may find it a little convoluted with the structure a little abrupt here and there and short sentences, but I put that down to translation. Don't forget, this book was originally written in Swedish so when it was adapted to English there was obviously some lost in translation. But I didn't let that worry me. Swedish grammar is different to English grammar, I'm sure, so it was always going to evolve differently.

Told from alternating points of view between Stella, Isabelle and Kerstin...and even some excerpts from Stella's diary when she was first pregnant and in the wake of Alice's disappearance. Each voice tells a story of love, loss, grief...and even obsession. I enjoyed each of their perspectives although I admit to inwardly groaning when Kerstin's chapters came up as I just knew things weren't going to end well there.

As much as I liked Stella, I couldn't relate to her pain and her grief (never having been a mother myself)...though I could well imagine how heartbreaking it would be. I felt for her because from the beginning I invested so much in her and I believed in her. Like her, I believed Alice was still alive. I felt for her when she kept stumbling over obvious mistakes and making terrible judgments. I wanted her to be right. I didn't want her to have to go through all this...only to end up with nothing. To be wrong. After everything she has been through. But inside, I kept screaming at her to trust Henrik, to talk to him.

I really liked Isabelle and I could relate to her gaining independence and trying to find her place in the world. I could sense her apprehension at seeking answers to questions about who she was. And I could feel her irritability at her mother. But oh, I could have slapped her when she continued to give in to her just to appease her. Her mother was more like a spoiled child than a mother.

Having said that, I really didn't like Kerstin. I wasn't fond of her to begin with but I grew to really dislike her. Her claim to love Isabelle was wrong on so many levels. I cannot say much more than that without giving too much away. But she really was despicable character.

The other supporting characters - Henrik, Stella's husband; Daniel, Alice's father; Pernilla, Stella's best friend; Johanna, Isabelle's flatmate; Fredde, Isabelle's love interest - were all quite likable and added more depth to the story. Although we only saw Daniel for just a small part of the book, he was in fact a big part of the story in being Stella's past and Alice's father.

I loved the fact (which no one else seemed to point out) that mental illness was cleverly woven into the story. You find yourself wondering throughout as the narrative changes and you get another perspective to the story. Are these women delusional? Are they paranoid? Who is telling the truth? What is true and what is fiction? But when the truth is revealed, it is almost heartbreaking.

TELL ME YOU'RE MINE is an intriguing domestic suspense thriller that had me hooked from the beginning. Despite it being a slow build with so much more monologuing than dialogue, I found the suspense increased with each chapter leading to a nail-biting end which will leave you breathless.

Despite some of the suspense being lost in translation, I highly recommend TELL ME YOU'RE MINE.

I would like to thank #ElisabethNoreback, #NetGalley and #AllisonandBusby and #GPPutnamandSons for an ARC of #TellMeYoureMine in exchange for an honest review.