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Showing posts with label Catherine Hokin. Show all posts
Showing posts with label Catherine Hokin. Show all posts

Thursday, 27 January 2022

REVIEW: The Commandant's Daughter by Catherine Hokin


The Commandant's Daughter by Catherine Hokin
Genre: Historical fiction, Post WW2
Read: 19th January 2022
Published: 26th January 2022

★★★ 3.5 stars

DESCRIPTION:

A heartbreaking novel about the incredible courage of ordinary people during the Second World War. Fans of The Alice Network, The Nightingale and The Tattooist of Auschwitz will never forget this powerful story of hope found in the darkest days.

1933, Berlin. Ten-year-old Hanni Foss stands by her father watching the celebrations marking Adolf Hitler as Germany’s new leader. As the torchlights fade, her safe and happy childhood changes forever as Reiner, the father she adores, is corrupted by his new position as commandant of an infamous concentration camp…

Twelve years later. As the Nazi regime crumbles, Hanni hides from her father on the outskirts of Berlin. In stolen moments, she develops the photographs she took to record the horrors of the camp – the empty food bowls and desperate faces – and vows to get justice for the innocent people she couldn’t help as a child.

But her carefully constructed new life is threatened when Hanni discovers a body hidden in a bombed-out building, and meets Freddy, the tortured young detective in charge of the case. Could the fierce emotion in his brown eyes distract Hanni from her quest for atonement?

Or will Reiner stop her himself? Because on the day she plans to deliver her damning photographs to the Allies, Hanni comes face to face with her father again. Reiner Foss has a powerful new identity and he makes it clear just how dangerous it will be to expose him. Now she faces a devastating choice, between the past which haunts her, and the chance of a future with Freddy…


MY REVIEW:

I am excited to be taking part in the #BooksOnTour #BlogTour for Catherine Hokin's historical tale with a difference THE COMMANDANT'S DAUGHTER.

I have read and enjoyed Catherine Hokin's previous books although they are generally slowish to start in their build up. However, THE COMMANDANT'S DAUGHTER differs to her previous novels in the sense that it draws you in from the start, offers you a different tale and it is the first in a four book series featuring Hanni and Freddy. Hokin says herself she has not embarked on a series before so is finding it a refreshing challenge and for her readers it is something different...whilst still against the backdrop of the horrors of the Nazi regime and the Holocaust.

I liked the premise and was drawn to the fact that the main character being a photographer (as my dad was a photographer himself) who captured moments in time through her viewfinder and therefore documenting the atrocities of war. The fact that her father was one of those who issued such punishments in the camps made the story all the more compelling, wondering how such barbarity would pan out. And I was intrigued to find out...

1933: Ten year old Hannelore Foss is intrigued by the pomp and circumstance taking place on the streets below as Hitler rose to power as the new German chancellor, and yet she is baffled why no one else at this party is interested in watching the display as she stands alone on the balcony of the Aldon Hotel. Alone but for one person who sits in the shadows and opens up a whole new world to Hannelore that she never knew existed. The world as seen and captured through the eye of the camera's viewfinder. When Ezra Stein invited Hannelore to view the world through the camera, she never expected to see what she did. And from that moment on, she was intrigued by the world of photography.

1945: Twelve years later, Hanni Winter has shed her past as Reiner Foss' daughter Hannelore and has a job at Ezra Stein's studio with his nephew Natan. The war was not kind to people like Ezra, who was Jewish, and as his studio was destroyed he was taken in the night to a camp where he met his fate as did many other like him. Hanni never saw him again.

But the war was not kind to Hanni either as she moved from place to place and camp to camp with her father, a Nazi officer with the SS, and as she crept into places she was not meant to be she captured the sheer horror of the atrocities that were inflicted on these poor innocent people...simply for being Jewish. Hanni hated her father and all he stood for and by the war's end she had lost her mother, her sister and the father that she had once admired and loved...before he became one of Hitler's henchmen. Now she is Hanni Winter, photographer. Hannelore Foss is dead.

Then one day, whilst exploring the remains of the Aldon Hotel with her camera, she stumbles upon a man laid out as if he were on display and very obviously dead. Without disturbing the scene, she begins to capture everything about him in death, relaying her thoughts and observations to the police when they arrive. Almost at once she notices that the dead man is a former SS officer, his SS tattoo displayed for all to see and a sign strung around his neck accusing him of his crimes.

Inspector Freddy Schlussel is immediately taken with the photographer as she relays her observations of the scene. Her exceptional eye for detail and ability to read the scene only enamours him more. Then when another body is found, he calls on Hanni to accompany him to the scene where they discover that he too was a former SS officer. Hanni and Freddy work together to uncover the culprit and the purpose behind his crimes.

But herein lies the conundrum. Freddy is Jewish and this villain is killing off former SS officers who oversaw such atrocities against his people during the war. Does Freddy really want such a person caught? Or does he want to let him keep killing them off, one by one? Surely he is doing the good people of Germany a favour by eliminating them?

And Hanni...she has since discovered her father is not only alive but has reinvented himself and is threatening her future. While she cannot reveal her past Freddy as he will surely never understand that she played no part in the atrocities but stood by while her father inflicted them on his people, Hanni secretly hopes that this killer has her father on his list. Reiner is definitely a threat to her life now as she knows it should she try to denounce him publicly. But Freddy will never understand that or her hatred for the man. And so her past as the daughter of an SS officer must remain a secret.

THE COMMANDANT'S DAUGHTER is a very different read to those we are used to of this era. It combines the atrocities of the Holocaust with the murders of former SS officers as well as the secrets that both Hanni and Freddy keep. Whilst Freddy does eventually bare his soul to Hanni, she cannot in all honesty reciprocate...because as soon as he hears the truth of her past, he will hate her, of that she is sure. And yet Hanni was a victim as well. She was a girl when her father became a Nazi and was still living under his hand throughout much of the war. As a woman, she had no say and no power to speak out against such a man held in high regard. Hanni wanted nothing more than to escape him and when she did, she began a new life away from his rule. She hated everything the Nazis stood for...but would Freddy, as a Jew, understand that?

Much of the story is shrouded in her fear of her past being discovered and thus the sting of Freddy's rejection. I willed her to be upfront with him; the sooner the better, otherwise Freddy will accuse of her keeping it from him...which she is. But will he understand why? Given his own personal connection to the Holocaust and Nazis, probably not which is why Hanni has chosen to keep it secret. Will she reveal her past in the next book? Or will it be saved till the very last? Personally, I think the longer she leaves it the worse it will be. This, in turn, frustrated me.

Along with Hanni's conundrum about her past, THE COMMANDANT'S DAUGHTER is also a murder mystery which is something different. Although it is no mystery to the reader though it is to Hanni and Freddy who are hot on his trail to uncover him. But throughout the story we see the development of the killer and how his story plays out also, which is an interesting concept. At first, the reader sympathises with him for what is clearly an indifference to him throughout his entire life. We see how he selects his targets and I admit to hoping Reiner Foss is on the list too. The tale, as it is told, is a very different one to that which is described in the book's premise. Having said that, it is a pleasant surprise to have something different on offer.

I must say, I absolutely loathed Reiner and I can only hope he gets his comeuppance soon enough. But he won't be easy prey for anyone who seeks to denounce him. He is a bully who is nothing if not cruel and selfish, thinking of no one but himself. He doesn't even care one iota for his daughter but then she also hates him, or rather the man he became as a Nazi. But he is powerful with his little spies everywhere throughout the city.

The first in a series, THE COMMANDANT'S DAUGHTER is a powerful tale that is heartwrenching in part capturing a plethora of emotions throughout. It will be interesting to see how the relationship between Hanni and Freddy develops. And if she will ever reveal her past.

A very different WW2 story, I wouldn't say the plot is not fast moving but is steady throughout. However, it is very wordy in places with a lot of description that does tend to slow the pace a little.

Recommended for fans of historical fiction offering something a little different.

I would like to thank #CatherineHokin, #NetGalley and #Bookouture for an ARC of #TheCommandantsDaughter in exchange for an honest review.


MEET THE AUTHOR:

Catherine Hokin is the author of two World War Two inspired novels set in Berlin, her favourite city. Following a History degree at Manchester University she worked in teaching, marketing and politics, while waiting for a chance to do what she really wanted which was to write full time. Her short stories have been published by iScot, Writers Forum and Myslexia magazines and she was the winner of the 2019 Fiction 500 Short Story Competition. She is a lover of strong female leads and a quest.

Catherine now lives in Glasgow with her American husband. She has two grown-up children – one of whom lives, very conveniently, in Berlin – and a life long addiction to very loud music. 

Social Media links:




PUBLISHER:


Stay up to date with upcoming releases from Bookouture by following them on these social media accounts.


Thursday, 28 January 2021

REVIEW: The Lost Mother by Catherine Hokin

 

The Lost Mother by Catherine Hokin
Genre: Historical fiction, WW2
Read: 24th January 2021
Published: 28th January 2021

★★★ 3.5 stars

DESCRIPTION:

She looked at the empty cradle where her baby had been. Her heart felt tattered and empty, like the hollow streets of Berlin after its people began to live in fear.

Berlin, 1934. Homes once filled with laughter stand empty as the Nazi party’s grip on the city tightens. When Anna Tiegel’s beautiful best friend catches Reich Minister Goebbels’ special attention, an impulsive act to save her brings Anna under his unforgiving scrutiny. First, she loses her job, then slowly, mercilessly, she finds her life stripped away. After her father is killed by the Nazis, Anna’s final hope is to escape to America with her boyfriend Eddy, but when she reaches his apartment on the agreed date, she finds it deserted. Alone and pregnant, the future feels terrifying, but she must try to protect the life inside her.

Rhode Island, 1957. Peggy Bailey stares in shock at the faded photograph of two laughing women which her beloved adoptive mother struggled to pass on to her before she died, whispering ‘It was inside your baby blanket when we brought you home’. As Peggy continues to stare, she realises that she has seen one of the girls before, in the most unlikely of places… Bursting at the realisation, she embarks on a mission which takes her across America to find the truth behind her heritage. Nothing, however, could prepare her for the tragic story her actions uncover…

A poignant and beautiful World War Two story about survival and a mother’s enduring search for her child against all the odds. A heart-breaking read for fans of The Tattooist of Auschwitz, We Were the Lucky Ones and The Alice Network.  


MY REVIEW:

I am excited to be taking part in the #BooksOnTour #BlogTour for Catherine Hokin's latest heartbreaking tale THE LOST MOTHER (previously titled "All Who Wander").

I love Catherine Hokin's historical novels but they are like climbing a mountain. A long slow arduous climb to get to its peak but once you're there, the view is magnificent. And the journey was worth it. I always feel like this about her books...slow to start with but I know I will be rewarded with a wonderful heartwarming story. However, I'm not sure how I felt about THE LOST MOTHER. The climb dipped and bowed from slow to petering out to slow again. Just as I started to really get interested, it dipped once again with a story arc I was disappointed in. But it did have a heartwarming ending which was at least satisfying.

New York, 1935: The story begins with Anna sitting on a bench in Central Park ruminating over the past year that has lead her to this point. The highs, the lows, the love, the losses, the tragedy and the heartache. She sees a mother and her baby in a pram, the little child cooing and giggling gently as the mother says she has suddenly started doing that. It brings up a wealth of memories and heartbreak of her own. Of when she gave birth to her daughter and was forced to give her up back in Germany. But now that is why she is here...to find her baby.

Rhode Island, 1957: Twenty two year old Peggy Bailey looks up the house that has been her home for the past 15 years. Its shuttered windows and the life that has now gone from its walls. After losing her father at aged 15, Peggy went on to complete high school and then go on to get her degree in journalism. But she had no time to think about a job as her mother's cancer diagnosis came shortly before her graduation and though as ill as she was, her mother made it to see her get her degree. Then Peggy became a permanent carer for her beloved mother Joan. 

Then before she died, Joan gave Peggy a photograph telling her that it was in the blanket they brought her home in...that her mother must have slipped it in. Her birth mother. And Peggy's world fell apart. Not only had she lost the only mother she has ever known, she now discovers that she has a birth mother out there somewhere...and she sets out to find her. Looking closely at the photograph, Peggy wonders which of the two women in it is her mother. As she continues to stare, she gasps realising that she recognises one of them...having seen her in the most unlikely of places.

And so now, Peggy sits in the car that was her mother's, her suitcases packed, looking up at the house as she ponders where this journey will take her. Embarking on a mission that will take her across the country in search of the truth about her heritage, Peggy prepares herself for the drive that will take her roughly a fortnight to make across the hot dry and arid deserts of Arizona and New Mexico. Is she prepared for what she will find there?

Berlin, Germany, 1934: A beautiful country with homes once filled with laughter as the onset of the Nazi party's grip on the city tightens, two beautiful young women - Anna Tiegel and Marika Baikker - light up the stage and screen. Anna is a theatre actress while Marika's love is for the movies. But the film industry in Germany is tightly controlled by the Party and under the firm hand of Hitler's Reichminister Joesph Goebbels. 

All films made must highlight the Party's progaganda and anyone who dares to disagree is ostracised by the industry so Anna has no choice but to co-operate when Goebbels sets his sights on her. And Goebbels is not a man to be crossed. Although Anna is a theatre actress, Goebbels wants her to sign with the UFA which was tightly controlled by the Party and therefore by him. His promises included work for Anna's boyfriend, Eddy Hartmann, who is a film director. Unable to say no or risk ostracism, Anna has no choice but to co-operate.

Marika, who has her sights set firmly on stardom, falls under Goebbels' spell and chastises Anna for refuting him. She is clearly his new favourite, lining her up to be his next mistress, but Anna fears for her best friend and tries talking her out cosying up to him. But Marika will not be swayed. Goebbels is powerful and she wants to be a star...whatever the cost. 

Goebbels' grip tightens as he paves the way for an exclusive party in which Anna and Marika have a starring role but Anna feels that something is dreadfully wrong. And so she conjures up a ploy for her and Marika to make their escape but Goebbels sees right through the subterfuge and, as they leave, whispers threats in Anna's ear which are anything but idle. 

Anna knows she must escape if she is to survive and plans to sail for America with Eddy. But when Anna arrives at his flat on the day they are due to depart, she finds it empty. And to make matters worse...Anna has discovered she is pregnant. She had come to tell Eddy but she was too late.

Suddenly, with no job and nowhere to go, Anna must find a way to survive. The Party has taken everything from her but they will not take her baby. But will she have a choice?

THE LOST MOTHER is a very different story to the first two historical novels by Catherine Hokin. It's very different from any other WW2 era books and not at all what I expected. For the most part I enjoyed it but then it petered out and I found myself a little disappointed after Anna had successfully fled Germany only to find herself an unwilling double agent forced to infiltrate the German American Bund, the American band of Nazis. But if that wasn't enough, she was then interned as an enemy alien! It was a heartbreaking read as her sole purpose for coming to America was to find her daughter...and then she found herself caught up in something she had no control over.

The book is broken up into three parts. After the prologue, Part One alternates between Anna, as her story just begins, in 1934 and Peggy, as she embarks on a journey of self discovery and for her lost mother, in 1957. Part Two is solely Anna's story from 1934 to 1947 in all its heartbreaking detail. Part Three is Peggy's story as she delves deeper into Louise Baker's past in her search for her mother. It is very cleverly done and the story is both original and unique, filled with emotion, strength, love and heartbreak.

While I didn't enjoy quite as much as her previous two, THE LOST MOTHER is still a good read and a must for historical fiction fans.

I would like to thank #CatherineHokin, #NetGalley, #Bookouture for an ARC of #TheLostMother aka #AllWhoWander in exchange for an honest review.


MEET THE AUTHOR:

Catherine Hokin is the author of two World War Two inspired novels set in Berlin, her favourite city. Following a History degree at Manchester University she worked in teaching, marketing and politics, while waiting for a chance to do what she really wanted which was to write full time. Her short stories have been published by iScot, Writers Forum and Myslexia magazines and she was the winner of the 2019 Fiction 500 Short Story Competition. She is a lover of strong female leads and a quest.

Catherine now lives in Glasgow with her American husband. She has two grown-up children – one of whom lives, very conveniently, in Berlin – and a life long addiction to very loud music. 

Social Media links:




PUBLISHER:


Stay up to date with upcoming releases from Bookouture by following them on these social media accounts.


Monday, 7 December 2020

REVIEW: What Only We Know by Catherine Hokin

 

What Only We Know by Catherine Hokin
Genre: Historical fiction, WW2
Date: 6th December 2020
Published: 27th May 2020

★★★★ 4.5 stars

DESCRIPTION:

When Karen Cartwright is unexpectedly called home to nurse her ailing father, she goes with a heavy heart. The house she grew up in feels haunted by the memory of her father’s closely guarded secrets about her beautiful mother Elizabeth’s tragic death years before.

As she packs up the house, Karen discovers an old photograph and a stranger’s tattered love letter to her mother postmarked from Germany after the war.

During her life, Karen struggled to understand her shy, fearful mother, but now she is realising there was so much more to Elizabeth than she knew. For one thing, her name wasn’t even Elizabeth, and her harrowing story begins long before Karen was born.

It’s 1941 in Nazi-occupied Berlin, and a young Jewish woman called Liese is being forced to wear a yellow star…

A beautiful and gripping wartime story about family secrets and impossible choices in the face of terrible hardship. Perfect for fans of The Tattooist of Auschwitz, We Were the Lucky Ones and The Alice Network.


MY REVIEW:

"I have one more piece of advice, if you can bear to hear it. When you dig up the past, do it gently. With a care for the living."

This story certainly isn't at all what I expected. It was so much more! Having read Catherine Hokin's historical debut with "The Fortunate Ones" which was incredibly beautiful as well as heartbreaking, I was eager to delve into WHAT ONLY WE KNOW. And believe me, it was just as beautiful and just as heartbreaking. A dual timeline novel the story, told two separate voices throughout, will consume you as if you had lived through it.

Hove, England, 1971: She steps into the water, the shingles crunching under her feet, until the ground becomes softer into sand and the ripples lap around her ankles. The sun would soon be up, floating on the horizon - it will be a beautiful day. But today, this is it. Her day has come. As she steps knee-deep...chest-deep...feet on tiptoes as the waves hug her shoulders pulling her deeper and deeper. Her eyelids drop. The seagulls fall silent. And there is nothing in her ears but the gurgle of Lottie's giggle. She has found her at last. Her parting thoughts are that he will read what she has written and will do what she asked. It was time.

Berlin 1936: Sixteen year old Liese Elfmann is the only child of Paul and Margarethe and heir to the Hause Elfmann fashion salon where the family design and make clothing for the wealthy women of Berlin and beyond. Their designs are highly sought after and their status is firmly entrenched within distinguished German social circles. But that all changes with the rising of the new National Socialist Party and their dogmatic leader, Hitler. For the Elfmanns are Jewish...albeit non-practising, but Jewish all the same. 

Little by little, Jews were stripped of their status right down to the last piece of their dignity. They were unable to attend school, go to work, run a business, own a property...to being restricted to curfews, wearing yellow stars emblazoned on their clothing, living in the squalor of the ghetto before being "deported" which was just another word for sending them to death camps. Some survived, most did not. But those that did, were irrevocably changed by their hellish experiences.

Liese's parents refused to listen to her pleas and those of their closest friend Otto or his son Michael, and continued to operate their business as if the new rules did not apply to them. They were royalty in German society! They dressed the wealthiest people...including Nazi wives. They were completely safe from being singled out. Until they weren't. And then they lost everything. 

By 1939 they were shuffled into a Jewish ghetto and Liese sent them out to work while she stayed at home and cared for her baby daughter, Lotte. When one day her parents returned home late with letters telling them to report the following day for deportation, Leise bid them goodbye as she left the ghetto with Michael who worked for the German resistance and organised a litany of safe houses for her and Lotte to stay in, moving on regularly so as to not raise suspicion as to her being a Jew. But one day when Michael was to take them to their final safe house in the country, he had failed to arrive. And in his place were Nazi soldiers who threw Leise and Lotte into a truck and then a train bound for Ravensbruck concentration camp.

And it was there that Liese's life changed forever.

Aldershot, England, 1978: Eighteen year old Karen Cartwright was devastated when her mother Elizabeth took her own life seven years ago when she was just 11. Since then, the gap between her and her father Andrew has grown wider and wider, as she has grown angrier and angrier at him for refusing to tell her anything about her mother or why she took her life. Growing up, Karen's mother was something of an enigma. She rarely spent any time with her daughter or did anything together as a family, claiming one of her headaches and then sleeping for days on end. She would often recall her father holding her mother in a way she thought was coercive and controlling and so she therefore blamed him for her death. 

It is then she ponders as where her mother's jewellery box had gone to. It always sat on her bedside table, despite her mother never wearing anything that was in it. So Karen decided to search her father's room for it...and she found it, hidden on the top shelf right at the back of her father's wardrobe. Whilst reminiscing over the pieces locked away inside, the felt lining at the bottom came away, revealing just one of her mother's hidden secrets. Her mother's passport which held a different name and another document in German which appeared to be a marriage certificate dated 1947. She confronted her father with these documents but beyond confessing that her mother was German, her father refused to give her anything else.

So when her German class announced they were travelling to Berlin, Karen jump at the opportunity to see the city in which her mother once lived and hoped to find some answers there. But the Germany of 1978 was a different Germany to that during and after the war. Now the country was divided into East and West by a wall that now separated them...and never the twain shall meet. All she had was the address to a place her mother once worked as a seamstress and upon finding it, was to learn that her mother was actually Jewish...and from the East. It seems now she has more questions than answers. But still her father refused to give up her mother's secrets.

Eleven years later in 1989, Karen's father has suffered a massive heart attack and doctors advise that his best option would be assisted living. Her father, ever the organised military man that he was, had planned for such an occasion right down to his preferred care home. So while he was in hospital recuperating, Karen set to packing up the house he shared with her mother for 40 years. In doing so, she comes across a photo of her parents' wedding with a mysterious man standing behind them, a look of pure adoration in his eyes as he gazed upon her mother, and a postcard dated 1953 with an address for a man named Michael. Karen had no idea who this man was or how he was related to her mother but she had a piece of a puzzle she was determined to solve once and for all. She could not question her father, as the mere mention of her discovery sent him into all sorts of distress, so she was advised not to visit him. But she rang the hospital daily for reports on her father's progress despite her confused feelings for the man.

So with nothing but the photograph and the postcard's address, she sets off to Berlin, just as the East and the West are about to be reunified, to find out the answers she had been seeking for almost 20 years, determined to find them at last. But just as the Iron Curtain falls, so will the secrets of the past...and nothing will prepare Karen for what she is about to discover about her mother...or her father.

WOW! That is all I can say. WHAT ONLY WE KNOW is a story that takes you through a range of emotions from grief to anger to heartbreak to love and so much more. We are taken through dual timelines through the eyes of two women - Liese and Karen - whose stories are both painful and heartbreaking. The chapters alternate with the voices through each timeline.

Karen's story is told from 1971 through to 1990 in both England and Germany. From a young girl who lost her mother at a young age through to a confused woman at the age of 29, she feels she has nothing left to lose by digging into the past. Her father won't give her the answers to her questions so therefore she must seek them herself. But at what cost to others? I especially love the words given to Karen by the priest in the church where her parents were married and which I opened this review with that I feel says it perfectly:

"I have one more piece of advice, if you can bear to hear it. When you dig up the past, do it gently. With a care for the living."

But as the reader, we feel her pain. She never really knew her mother who always seemed just out of her reach...always unwell, always sad, always longing for something else. And after she died, her father stubbornly refuses to give her any answers or enlighten her as to who her mother really was. To Karen, she was an enigma. And that is incredibly sad. To have missed out on the love and warmth of a mother's love.

And there is Liese's story. Her's is the most difficult to imagine, let alone put into words. The utter devastation of her hellish experience could be felt within every word on every page that will have the reader reaching for the tissues as we cry along with the broken but stoic Liese. By the time she was 23, she had lost everything but her life...and even that she felt was not worth much. She may have survived the camp but she wanted to die. And she spent the next two and a half decades wanting to die. What was there to live for? By 1947, she had met and married British soldier Andrew Cartwright and moved to England to begin a new life...but how could she escape, let alone forget, the old one? My gosh, her story was at times brutal and difficult to read and I found myself in tears at the horror through which people like Liese had to endure at the hands of the Nazis. But although I have read many WW2 stories, including those of the Jew's plight in Germany and beyond, Liese's story is different and even more heartbreaking...if that is at all possible.

I cannot express how completely breathtaking WHAT ONLY WE KNOW is. You cannot help but be touched by Liese and Karen's stories...and you may find yourself bereft once they have gone. 

I have just two complaints with the book. The first being that the beginning was slow and incredibly drawn out. I can see why it was included, but I felt it may have also sufficed as a backstory reminisced on and reiterated at a later time, possibly as war broke out. I felt at times like giving up it was that slow...but I'm glad I stuck it out and I urge you to do the same. I guarantee that it WILL be worth it. My other gripe is the loooong and drawn out chapters. Again, I can see why they were, as alternating between the two narratives, but I really loathe long chapters and I find that they only serve to make the story even more drawn out. Had the chapters been shorter, I'm sure my first issue would have been null and void as it wouldn't have seemed so drawn out to begin with. If that makes any sense. However, as I said, I am glad I did stick with it because the story really IS WORTH it.

If you love historical fiction sagas, particularly WW2 fiction, then you will love WHAT ONLY WE KNOW. It is heartwarming as well as heartbreaking as we delve into both Liese and Karen's stories and uncover their secrets.

"We were brought together by a place. Now we need different places. To find our stories in. To be remembered in."

I would like to thank #CatherineHokin, #NetGalley and #Bookouture for an ARC of #WhatOnlyWeKnow in exchange for an honest review.


MEET THE AUTHOR:

Catherine Hokin is the author of two World War Two inspired novels set in Berlin, her favourite city. Following a History degree at Manchester University she worked in teaching, marketing and politics, while waiting for a chance to do what she really wanted which was to write full time.

As all writers are, Catherine is a huge reader and devours books of all genres. Having read Jane Eyre at an early age she likes a bit of Gothic, but also loves magical realism and obviously historical fiction. Her short stories have been published by iScot, Writers Forum and Myslexia magazines and she was the winner of the 2019 Fiction 500 Short Story Competition. She is a lover of strong female leads and a quest.

Catherine is from Cumbria in the North of England but now lives in Glasgow with her American husband. She has two grown-up children – one in London and one in Berlin – and a life long addiction to very loud music.

Social Media Links:



PUBLISHER:

Stay up to date with upcoming releases from Bookouture by following them on these social media accounts.

Monday, 23 March 2020

REVIEW: The Fortunate Ones by Catherine Hokin (ARC)


The Fortunate Ones by Catherine Hokin
Genre: Historical fiction, WW2
Read: 22nd March 2020
Purchase: Amazon
(publication date: 20th January 2020)

★★★★ 4 stars

I have read many books set during World War 2, both in Britain and in Europe, and it continues to be one of my favourite genres. While there is an element of sameness throughout, each book is very different with a unique story that unfolds through the eyes of some very different people. I love to hear how the war touches each of these characters and the parts they played.

In THE FORTUNATE ONES, the story begins in Berlin during the war years  and continues beyond. It is a very different tale in which we follow two main characters Felix Thalberg, a German of mixed blood with a Jewish father, and Inge Ackermann, a young idealistic German woman married to a a high ranking SS officer who is brute of a man. Two very different people whose paths were destined never to cross...

It's 1941 in Berlin and 18 year old Inge Ackermann's family have arranged her marriage to a much older high ranking SS officer and prominent Nazi doctor, Max Eichel. The union is to combine the fortunes of the two families although Inge never sees a penny of it. One night before she is to be wed, Inge's friend Leisl arranges for them to slip away to a dance hall during a party she is to make an appearance. It is there, Inge meets handsome young Felix Thalberg. Wanting to be someone else somewhere else in that moment, she gives her name as Hannah Huber. And together they dance, lost in the moment, and they kiss. But when the sirens ring out, Inge and Leisl must hurry and return to the hotel's own shelter before their absence is noticed...but not before Felix asks her to meet him again. When she does, she is jumpy and jittery, and seeing shadows where there are none. After just a few short minutes, she leaves again, knowing she will never see Felix again.

Felix Thalberg is an apprentice printer when he meets beautiful young Hannah Huber in the dance hall. Her blonde curls striking against the Prussian blue of her dress. They dance, they kiss, and they fall in love. But all too soon, she is gone again. But Felix never stops hoping that he would find her again. From the outset, Felix has conjured up a story and an image of Hannah, convinced that she must be a Jewish girl from the nearby area. Over the years she becomes a sort of talisman for him that keeps him alive.

Felix is what is known as a "mischling", a person of mixed blood - half German and half Jewish, which in the Nazi's opinion makes him Jewish. His father is turned out of his lecturing position and forced to wear a yellow star to identify him as Jewish. His mother, an aryan, refuses to leave her husband and is therefore shunned by the community. Felix himself is unsure where he fits in Germany's new regime, being neither German or Jewish. But one day, the choice is made for him when he is arrested and sent to the Sachsenhausen concentration camp, with his father on one truck and him on another...and his mother left behind.

Upon arrival at Sachsenhausen, Felix is in the yard when he sees a face at the window watching him. It is Hannah. She is here too! Felix calls to her, feeling sure she is in danger, especially when he sees "the Needle" Dr Max Eichel standing right behind her. He believes that she is a prisoner...and in a way she is...but not in the way he thinks.

Inge has been forced to marry Max Eichel. She is expected to be the "perfect" Nazi wife, an ornament on his arm at functions, never asking questions and to simply obey her husband's every command. Except that she can't. She knows something isn't right and that her husband is up to something. But what? She knows at home he is brutal, callous and abusive...but what she doesn't know is that at the camp he is a monster who performs horrific experiments on prisoners. Oblivious to what he does, but at home his abuse speaks volumes, and Inge sees no way out.

When Inge saw Felix through the window, she knew he was destined for a fate worse than death. She didn't know what really went on at the camp but she was sure it wasn't good, particularly with Max as the camp's doctor. In the lining of her bag she kept a secret, and she used it now to secure a promise of something better for Felix, without Max learning of it or that would surely guarantee Felix's death.

Felix is assigned to a place in the camp where they make counterfeit money, where he is given a slightly better existence than others in the camp. He is fed, he is clothed and his bed is not shared with others. For that he is grateful...but what he doesn't know is that, until Hannah saw him from the window that day, he was destined for a fate worse than death. He is still a prisoner and it's the thought and memory of Hannah that gives him hope and strength to survive.

Max doesn't know what Inge is hiding, but he knows it's something to do with that Jew in the camp's courtyard. He saw the way she looked at him and he her. They knew each other, of that he is sure. So Max vows to do everything he can to find the Jew and take pleasure in punishing Inge for it.

Despite the arrangement of her marriage to Eichel, Inge did enjoy the early days but she soon discovered it turned nasty if she questioned Max or dared to offer an opinion. Soon after seeing Felix and Sachsenhausen, the tides turned and Max became even more abusive as if he were punishing her. He taunted her, ridiculed her, gaslighted her that in the end had her questioning her own sanity. As tensions become rife as the war nears its end, Max plans his escape before the regime falls and they are captured. He was all set to leave Inge behind...until he discovered she was pregnant. She was so close to being free of him at last...and now she knows she can never leave.

Inge always knew Max was monster towards her but when she discovers by chance just how sadistic he really is, she secretly begins to collect evidence, listening to conversations, noting names, and hopes one day she can make him pay for his evil intentions.

The story unfolds through the eyes of both Felix and Inge, in alternating chapters, and their narratives are both heartwarming and heartbreaking. I loved both of them and reading their stories. There was no way either character would come through this unscathed...but can their love sustain them and help them persevere?

Admittedly, I did fine THE FORTUNATE ONES slow to start but that could have been reflected in how tired I was when started it. I did find a lot of description and not a lot of dialogue to begin with, of which I am not a fan, but as the story developed I discovered this style worked as it was primarily reflective. I soon found myself immersed within the lives of both Inge and Felix and hoping they would find each other again.

There was so much to love about THE FORTUNATE ONES, as well as a lot of hate, but it is a beautiful story that is also heartbreaking. The fact that it was from a German perspective in highlighting that not all Germans were Nazis or agreed with the regime is refreshing. So often Germans were all seen as the bad guys when really they were just following orders like everyone else. Not everyone was a Nazi and not everyone agreed with Hilter's regime. And the fact that it wasn't solely about Jews in a concentration camp was also gratifying.

Felix is an especially interesting character. He is mixed blood, Jewish and German, he is talented, he is relentless in his search for justice, he is complex yet relatable and he is flawed. Inge was also interesting in the way she is naive to begin with but quickly learns the harsh realities from which she had always been protected. As a German she is of safe people and yet she still had no way of escape.

From Berlin to Argentina, THE FORTUNATE ONES is a captivating and engaging read from beginning to end set during one of the bleakest times of human history. It is well researched but doesn't feel like a textbook, which is a good thing, and the story unique.

Although it didn't end the way I had hoped in a couple of ways, it was still probably the best outcome... Still I would have liked to see a couple of loose ends tied up but that's just personal preference. It is still a wonderful story that deserves recognition and recommendation.

I am looking forward to Catherine Hokin's next novel and eagerly await it!

I would like to thank #CatherineHokin, #NetGalley and #Bookouture for an ARC of #TheFortunateOnes in exchange for an honest review.