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Showing posts with label Leah Fleming. Show all posts
Showing posts with label Leah Fleming. Show all posts

Tuesday, 28 January 2020

REVIEW: Orphans of War by Leah Fleming (ARC)


Orphans of War by Leah Fleming
(2020 edition)
Genre: Historical fiction
Read: 27th January 2020
Goodreads
Purchase: Amazon
(publication date: 19th May 2016)

★★★★ 4 stars

As anyone who knows me KNOWS I am a sucker for historical fiction, particularly those set in WW2. There is just something about the era...something innocent almost...and of course the setting. The rolling hills and Dales of Yorkshire which just add to the beauty of this story making ORPHANS OF WAR a must read. This is my second Leah Fleming book and it won't be my last.

While it is a dual timeline story, only the the prologue and epilogue take place at the turn of the millennium, with the rest of the story set between 1940 and 1957.

1940: Madeline Belfield lives with her maternal family, uncle George and Granny Mills, in Chadley on the outskirts of Liverpool and loves nothing more than running through the fields with her dog Bertie. But when an air raid blitzes the city whilst she is out grabbing fish and chips for supper, Maddy finds herself pushed into the public shelter by the AR warden...but all she can think about is Bertie and that he is safe. When the all-clear sounds the next morning, Maddy exits the shelter to be greeted by mass devastation. She runs home to the Feathers Inn, where she lives with her uncle and Granny, but it is gone...decimated by the German's bombs. Frantic for Bertie she spends the next few days calling for him amongst the rubble, but she must resign herself to the fact that her only friend has gone.

Maddy now finds herself alone with no one to care for her. Her parents are the famous "Bellaires" duo - Arthur and Dolly Belfield - travelling and performing for troops so Maddy was left in the care of her mother's brother and mother. She knows nothing of her father's family, believing there to be no one. But whens she receives a telegram from who appears to be her father's mother, Maddy is sent off to West Yorkshire to live with them. Her parents will set sail from Cape Town as soon as possible to arrive back by Christmas and be reunited with their daughter.

Along the way she meets Gloria and Sid Conley, who are shoved rather unceremoniously on the train by their mother...with a letter in Gloria's coat pocket for whoever is to take charge of the two children. The children are frightened by this turn of events and crowded train of strangers, and they cling to Maddy for dear life, refusing to let go even when they reach Leeds, where Maddy is to meet her aunt.

Prunella Belfield (Plum) is Maddy's aunt and is at the station to meet the evacuees along with Maddy to take back to Sotherthwaite. The evacuees are her new charges to reside in the Old Vic, a hostel on the edge of the Belfield estate. Maddy is to reside in Brooklyn Hall. Plum sends Greg, the oldest of her charges off to find Maddy and he returns with not one but three children. Maddy explains the situation in which Gloria and Sid came to be in her company and how she has promised that they will take care of them.

And so begins the adventures of the "vaccies".

Throughout the years, we see them grow and follow their various adventures through life...until the end of the war sees only a couple remain. Whilst the premise billed the story of the evacuees, it is really only follows two of them alongside Maddy. We are taken through the war and their coming of age, as we watch Maddy and Gloria grow as forever friends and Greg become a young man, a far cry from the troublesome lad he had always been seen as. But adulthood brings a whole new set of challenges which will fill us with a range of emotions - from grief to anger to love to heartbreak - as the story moves into a new decade.

Although titled ORPHANS OF WAR, I felt it would have been more aptly named as THE VICTORY TREE. The war plays just a small part of the story but "the  Victory tree", named for a previous war and for its V shaped trunk, which stands behind the old hostel on the edge of the Belfield estate plays a far greater part. It is the headquarters of their childhood games and later the home of a dark secret. For Maddy, it is also a place of solace. The story begins with the tree, grows with the tree and ends with the tree. So I believe THE VICTORY TREE would have been a far more significant title.

The story had a wonderful array of characters that were both irritating and interesting. I really liked Maddy and identified with her, if only for her "Panda" as I had one I grew up with also and still have to this day. She is the predominantly the main character with Plum, Granny Belfield, Greg, Gloria, the Battys and the like all supporting characters. A really disliked Gloria, even as a child, and as she grew I disliked her even more. She is a selfish, jealous, self-centred cow and Maddy was better off with an enemy than Gloria as a friend. She coveted everything Maddy had and she still wasn't happy. Yet through it all, she failed to see just what Maddy had lost. I found it hard to be sad for her even in the end as she had brought it all on herself. I enjoyed the scenes with Granny Belfield, a rather cantankerous and stubborn old woman but with a heart somewhere deep within. I also enjoyed watching Greg grow from a troubled lad to a prosperous man with ambition.

I really enjoyed ORPHANS OF WAR but I felt there was a lot that could have been left out as well as a lot of repetition and other parts that could possibly have been expanded on. For example, there was a point in the story as children Greg had done something which deeply upset and offended Maddy after-which she said she would never speak to him again...and then in the next chapter, they were bosom buddies again. There was nothing to explain how she got past that and moved on with their friendship. And what happened to the other evacuees? They just sort of petered out and maybe mentioned in passing once or if that. I felt some parts of the story was skimmed over and others we were given way too much information on, drawing it out even further.

The chapters were unnecessarily long in parts. I mean, 55 minutes to a chapter? I think 20 minutes to 30 minutes is sufficient in historical fiction. But again, I feel this is due to the rehashing and repetition of events that didn't need re-going over. Along with Maddy's constant self-loathing, believing she was not deserving of happiness. I can understand that but to keep rehashing it? It did draw each chapter out that little bit longer.

Overall, ORPHANS OF WAR is a wonderful escape from reality, an easy read even if it is a tad long. I still thoroughly enjoyed it and the adventures surrounding the longstanding Victory tree.

A beautiful tale with a satisfying end, ORPHANS OF WAR is at times heartbreaking as we follow Maddy, Gloria, Greg and Plum through love, loss, tragedy, grief, deceit, betrayal, secrets and, ultimately, redemption.

Recommended for fans of historical fiction.

I would like to thank #LeahFleming, #NetGalley and #AvonUK for an ARC of #OrphansOfWar in exchange for an honest review.

Monday, 9 September 2019

REVIEW: The Wedding Dress Maker by Leah Fleming (ARC)


The Wedding Dress Maker by Leah Fleming
Genre: Historical fiction
Read: 7th September 2019
Purchase: Amazon
(release date: 5th September 2019)

★★★★ 4 stars

THE WEDDING DRESS MAKER is the first book by Leah Fleming that I have encountered and while I didn't hate it, I definitely don't think it was the best written in this genre.

A story of love and loss during wartime alongside family and day to day struggles of the time, THE WEDDING DRESS MAKER is about the determination of a young woman fighting for what is right and the child that was taken from her shortly after birth. It also deals with post natal psychosis which is not something that was readily understood at the time, and it is handled expertly and sensitively.

Netta Nichol grew up a farmer's daughter in Galloway in the west of Scotland. An only child, her father Angus longed for a son to take over the family farm, but after her mother died young he then married Peg who was unable to bear him a child, much less a son. Netta found her stepmother harsh in comparison to her beautiful loving mother who spoke of dreams and rainbows whereas Peg dealt in black and white practicalities. The transition wasn't an easy one as Peg thought Netta's head was in the clouds far too much having been mollycoddled by her mother and Netta fighting Peg along the way.

One night at a dance, Netta met the dashing Corporal Raeburn Hunter and their tender courtship blossomed into loving proposal. Accepting without hesitation, Netta was filled with dreams of their future. Eloping to Gretna Green, they married in the former tradition over the anvil but it would not be legal until they did so via the registry - which they could not do so for fourteen days. But Rae's leave was only for 10, so they made plans to meet at the registry office and then honeymooned for the remainder of their precious time together before Rae had to return to barracks. But their future as man and wife hung in the balance when Rae missed their rendezvous at the registry office to legitimise their marriage. Furious with him, Netta returned home to discover a telegram notifying her of his unit's deployment thwarting their surreptitious plans. Netta could do nothing but carry on in the hope that the war would soon be over and Rae would come home.

But war takes far more than it gives, and it wasn't long before Netta received the unemotionally indifferent telegram informing her of her beloved Rae's death. She was devastated. And what was more, she was pregnant...and their marriage, despite being real to them, was never formally legalised. When Netta bore Rae's son - named Raeburn Angus Hunter - it was an incredibly difficult birth, leaving her unable to care for her child. She was transferred to Park Royal to recover and receive specialist treatment while her father and stepmother took over the care of her baby throughout her lengthy absence. Netta lived for the day she would see baby Ray again and when eight months later she was discharged, she soon discovered that her father and Peg were the only ones her child knew and looked upon as his parents. They even took to calling him Gus, rather than the name she had given him, and it was the name he now responded to. Try as she might, Netta had been replaced as her son's mother as Peg informed her that she was now his mother.

Netta was exiled to make a life for herself with a job and a home so that she could return and claim her son and ensure that he would be well cared for. She moved to Yorkshire where she took work in a fashion house pinning hems for seamstresses with the dream of becoming a designer herself. She visited the farm miles away in Scotland twice a year to see Gus, becoming known as his adored Auntie Netta, whilst she worked hard to achieve her ambition. As she soon set herself up securely and comfortably, she knew the time had come to Gus to come and live with her. But every time the subject was broached another reason why he couldn't wasn't thrown her way. And Netta left empty-handed without her son once again. By this time Gus was now 4 years old and she had already lost so much precious time with him as her son. He saw only Peg as his mammy. Netta was his beloved aunt. Would she ever have her son back? He was the only part of Rae she had left...and Peg has taken that from her.

Amidst the upsets, setbacks and turmoil, Netta was resourceful and driven as she achieved her dream of becoming a dressmaker/designer and was well-known locally for her beautiful work. But was it enough?

THE WEDDING DRESS MAKER is a powerful story of love, loss and determination. Though the title is deceiving as the focus is not really on making wedding dresses - in fact, there isn't a deluge of these at all -but rather on Netta's story and her personal journey. It's a heartbreaking tale but not an easy one to take in at times. A lot of monologuing and description - of which I am not a fan - but then the story is predominantly made up of Netta's memories.

However, I found it took me a while to get into the story at first as the format of the dual timelines was somewhat different in approach - being in the form of Netta's memories as she encounters items in the attic during her latest visit to the family farm. Rather unusual at first but it does work quite well once you get used to it. I did find the Scottish brogue and dialect a little hard to follow, as speech patterns were written as they sounded rather than what they actually were, making it hard for someone not as familiar with Scottish dialect to follow in part. Like the format, you do get used to it but it does remain am awkward concept.

Not a bad read, THE WEDDING DRESS MAKER is a good fit for fans of historical fiction, particularly in dual timelines.

I would like to thank #LeahFleming, #NetGalley and #HeadOfZeus for an ARC of #TheWeddingDressMaker in exchange for an honest review.