You Let Me Go by Eliza Graham
Genre: Historical fiction, WW2
Read: 10th March 2021
Amazon
Published: 25th March 2021
★★★ 3.5 stars
DESCRIPTION:
A secret family history of love, anguish and betrayal.
After her beloved grandmother Rozenn’s death, Morane is heartbroken to learn that her sister is the sole inheritor of the family home in Cornwall—while she herself has been written out of the will. With both her business and her relationship with her sister on the rocks, Morane becomes consumed by one question: what made Rozenn turn her back on her?
When she finds an old letter linking her grandmother to Brittany under German occupation, Morane escapes on the trail of her family’s past. In the coastal village where Rozenn lived in 1941, she uncovers a web of shameful secrets that haunted Rozenn to the end of her days. Was it to protect those she loved that a desperate Rozenn made a heartbreaking decision and changed the course of all their lives forever?
Morane goes in search of the truth but the truth can be painful. Can she make her peace with the past and repair her relationship with her sister?
MY REVIEW:
I'm thrilled to be taking part in the #BlogTour for Eliza Graham's compelling dual timeline tale YOU LET ME GO.
What drew me to this book initially was the premise and two things I further noted - Cornwall and dual timeline. I seemed to be drawn to stories set in Cornwall, particularly one that is dual timeline. And the mystery to one's past sounded like an exciting aspect I looked forward to peeling away.
But...I won't lie. YOU LET ME GO is a slow starter. So slow I wondered when it was ever going to get there. I wouldn't say the first half of the story is superfluous because it does give you the background of what's to come. I just wish it got there quicker. It's not until the second half of the book, after Morie makes the decision to travel to Brittany to uncover the truth of her grandmother's past that things really start to get interesting. Does it make trudging through the first half worth it? I think so...eventually.
Devastated by the loss of her beloved grandmother Rozenn, Morane is equally at a loss to learn that her sister Gwen is the sole beneficiary to inherit Rozenn's beautiful home, Vue Claire, in Cornwall. All that Morie had been bequeathed was an old silver compass with initials engraved on the back. Feeling somewhat guilty, Gwen assures Morie that she would have the deeds changed to reflect both sisters as co-owners. But Morie refuses. Rozenn had her reasons...if only Morie could understand why.
Having suffered her own tragedies in recent times with an accident (not fully revealed till about halfway through), the loss of her business and partner, Morie is now struggling to rebuild her own business as a property manager rebuilding and renovating properties for clients. Her business is based in London but her heart is in Cornwall, and so she finds herself making any excuse to travel back to Vue Claire and help Gwen redecorate the house. It's while she is there that she makes a puzzling discovery. A single page from a letter in a hand Morie didn't recognise. The contents are equally puzzling as they don't appear to make much sense despite her name being mentioned. Who wrote this letter to Rozenn and why did the writer mention making contact with her? She has received no communication from anyone to do with Rozenn. So what is this all about?
The letter takes her back to some old photos she'd come across in an old album along with some sketches of birds and mice. It seems her grandmother had a deft hand at drawing though she never seemed to pursue it, choosing instead to become an architect. Some of the photos seem to puzzle her also...particularly two of Rozenn as a little girl in the 20s, sitting on a beach. In one she appears serious and contemplative whilst in the other she is beaming at the camera. And although the photos appeared to be taken on the same day, she is wearing two different bathing costumes. Why? It made no sense to Morie at all. Then when she discovers a second page to the letter it is then that Morie makes the sudden decision to travel to Brittany and to the village St Martin, which is mentioned more than once. What does St Martin have to do with Rozenn? And more importantly, what does it have to with her?
It's 1941 and eighteen year old Rozenn has had to leave all that she knows and love in Paris as she and her family travel to St Martin to live for an indefinite period. France under German occupation is a dangerous place and the family need special permits to travel to the village port of St Martin, a restricted zone. But they are desperate. Germany is bringing in forced labour for men of working age, and that includes Rozenn's brother Yann who has only just recovered from his time in a German camp. As French residents, they are required to register with the German authorities as to where they are living and while they are registered in St Martin, Rozenn's brother Yann is not. And so they keep him hidden in the outbuildings of the house on the cliff in which they now live...a far cry from the pampered lifestyle of their apartment in Paris.
In the village, Rozenn keeps to herself while not drawing attention to herself or her family but a woman with her looks is not forgotten in a hurry. She meets some of the locals - Luc, Martine and a delightful Irish woman, Madame O'Donnell. But she still yearns for Paris. Life in the house on the cliffs is primitive at best. In Paris she had a bidet; here the privy is in an outbuilding. But like her family, Rozenn had to make the best of things. It wasn't forever...just until they could get Yann to safety. Her doctor father didn't appear to be making any headway with this so Rozenn made enquiries with local boy Luc about fishing boats aiding an escape. It was a dangerous move, as Luc reminded her, for if they were caught...but Rozenn's family were desperate. It wouldn't be long before the Germans discovered an unregistered man living in their outbuildings and then they would all be punished.
The boat was to take Yann to Britain, where he could maybe join the Free French and fight for their freedom, but on the night of the escape things go horribly wrong...changing the course of Rozenn's history of which she would never speak again.
So what became of Yann? And Rozenn's family? And their primitive house on the cliff? How had Rozenn come to be in England? And why would she never talk about it? And what is it about St Martin that holds the secrets to Rozenn's past?
After the initial first 50%, I couldn't put the book down. But that first half was dreadfully slow and seemed to be weighed down with a few unnecessary aspects and could have moved a little quicker had they been removed. For example, Theo. I don't understand the point of his presence at the beginning. It didn't go anywhere, it wasn't integral to the story and then he was barely mentioned throughout the rest of the book...so why was it even there? And the constant referral to Morane's "accident" throughout the first half without actually saying what it is until she gets to France...what's the big secret? Again, not integral to the story. It was just an incident which occurred that didn't seem to be wholly important, except to keep Morie from actually moving forward. Once it was revealed, I was like...so, that's it?
That being said, YOU LET ME GO is a compelling tale taking us back to the past as well as keeping us in the present. It alternates between 1941 and the present day in each chapter from Rozenn's and Morane's perspectives. There is one chapter from Rozenn's sister Claire's perspective towards the end but apart from that, it is Rozenn and Morane's story. At first I was confused as to where I was as there was no "header" as such to each chapter letting the reader know in which era the chapter is set, but after a while you become familiar with how the story is told and it no longer becomes an issue...but at first it was.
Although I didn't much care for Rozenn, her story was intriguing but she wasn't very nice to her sister and she was a bit of a snob. The villagers could see it and the reader can see it. The turning point for her was probably the escape which was more than likely a penultimate time in her life. I think part of Rozenn remained as such because even after her death she seemed to be unreachable. No one, not even her son or granddaughters, knew anything of her past apart from the fact she came from Paris. Was she ashamed of the part she played in whatever became of her family? Did she feel guilty that they may have all been captured and thus suffered at the hands of the Germans while she got away? Guilty that it was meant to be Yann's escape, not hers? I don't know. Rozenn was a closed book both during her life and after her death.
I wasn't particularly enamoured with Morane either, but I applaud her doggedness at seeing her journey through. She got her answers in the end as did the reader. She just she seemed to be submerged in her misfortune a little too much whilst refusing help from those around her. And then when she found something to sink her teeth into she kept second guessing herself. I don't know - maybe it was that, maybe it wasn't. It's just something about her didn't endear me to her.
I did, however, thoroughly enjoy the second half of YOU LET ME GO which was intense and had me engaged from 50% onwards. I found myself trying to work out what went wrong, what happened and what it all meant. There were twists and even I didn't guess how it would end.
If you love your books quick and fast-paced, then this one isn't for you. The beginning is very slow and did not really start until about 50% but if you are patient, I promise it will be worth it in the end.
I would like to thank #ElizaGraham, #RachelsRandomResources, #Netgalley and #AmazonPublishing for an ARC of #YouLetMeGo in exchange for an honest review.
MEET THE AUTHOR:
Her books have been bestsellers both in Europe and the US.
She is fascinated by the world of the 1930s and 1940s: the Second World War and its immediate aftermath and the trickle-down effect on future generations. Consequently she's made trips to visit bunkers in Brittany, decoy harbours in Cornwall, wartime radio studios in Bedfordshire and cemeteries in Szczecin, Poland. And those are the less obscure research trips.
It was probably inevitable that Eliza would pursue a life of writing. She spent biology lessons reading Jean Plaidy novels behind the textbooks, sitting at the back of the classroom. In English and history lessons she sat right at the front, hanging on to every word. At home she read books while getting dressed and cleaning her teeth. During school holidays she visited the public library multiple times a day.
Eliza lives in an ancient village in the Oxfordshire countryside with her family. Not far from her house there is a large perforated sarsen stone that can apparently summon King Alfred if you blow into it correctly. Eliza has never managed to summon him. Her interests still mainly revolve around reading, but she also enjoys walking in the downland country around her home and travelling around the world to research her novels.
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