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Sunday, 22 December 2019

REVIEW: The Quiet Girls by J.M. Hewitt (ARC)


The Quiet Girls (DS Carrie Flynn #2) by J.M. Hewitt
Genre: Crime fiction, thriller, suspense
Read: 21st December 2019
Purchase: Amazon
(publication date: 13th November 2019)

★★★★ 4 stars

Having enjoyed DS Carrie Flynn's introduction in "The Night Caller" I was looking forward to her second outing in THE QUIET GIRLS, hoping some of the loose ends left in the first book would be on the way to being tied up in the second. One thing I really hate in books, even those in a series, are loose ends. It's like television shows that end the season on a cliffhanger...it's not like you're not coming back so why leave fans hanging? It's a pet peeve of mine and yet so many authors are guilty of it.

THE QUIET GIRLS begins with a taster for fans where the previous one left off regarding DS Carrie Flynn's past of her missing sister, Hattie. When I read the opening chapter I found myself hoping that there would be more of an element regarding this 20 year old mystery, instead of just being a backstory as it was previously.

But we would have to wait and see for the story then takes a turn as we see Carrie and her DC Paul Harper receive and replay a telephone message over and over from a distraught caller stating they had provided information and nothing was done and that now they were going to take matters into their own hands. The voice was disguised but the closer Carrie listened the more she felt the voice was female. Carrie insists the caller is a victim but Paul isn't so sure, given their intention to possibly commit a crime.

11 year old Melanie Wilson is meeting her two friends, Kelly and Tanisha, in the hope the girls will accept her as "one of them". The three girls decide to embark on an adventure, entering what they thought to be an abandoned house. But when one of them is attacked by a man wearing a grotesque mask who is naked from the waist down, Melanie gets her two friends out as they run for their lives, without looking back.

Melanie's mother Alice arrives home at 7pm to find her husband Harry sitting in the dark, no Melanie, and oblivious to the fact their daughter has not returned home. Alice panics and goes in search of Melanie, relieved to find her disembarking a bus at the end of the street. They return home to find a dishevelled Harry, silently cursing himself for not noticing their daughter was missing.

Later that evening, Melanie discloses to her parents what happened at the house. Harry wants to report it, Alice does not. As a lawyer, she points out that the girls entered a house without permission and probably frightened the occupant with everything else nothing more than Melanie's overactive imagination. Unbeknownst to them, Kelly's mother has taken her daughter off to the police station to report what had taken place inside the house without disclosing Melanie's presence. As Kelly refuses to co-operate, the police can do nothing so the matter is shelved. But Kelly's mother refuses to let it go and organises a group of concerned parents to storm the house protesting the presence of paedophiles preying on their children.

When Carrie and Paul receive a complaint from a resident that they have been targeted by a group naming them as paedophiles, Carrie realises the girls' mother took the matter further. But as the man reveals, it couldn't have been him, or his brother, as they were out of the country at the time and with flight details to prove it. So Carrie must now inform the group of his innocence and move them on. But the resident discloses that while they were away, his brother had organised for a decorator to come in and work on their house however his details have been misplaced. So who was the decorator? Was he the man who assaulted young Kelly Prout?

Meanwhile, Harry Wilson decides that he must keep his family safe and after the incident with the suspected paedophile, particularly Melanie. So without consulting his wife, Harry sells up their house and packs up their belongings and moves them to Pomona island, a remote and abandoned island off Manchester. Also making the move with them are the Hadleys, the father whose carpentry skills Harry would find useful for their new life on Pomona. No one is particularly thrilled with the move but go along with it anyway. But once they get there and the boat that brought them across leaves, they are faced with the reality of their isolation as Harry excitedly organises them into groups to explore the island and where to find food, water and wood.

But as days turn into weeks, things are not going the way Harry had planned. Liz Hadley hasn't even set foot outside their cottage let alone made it a home for herself and her family. Their twins, Willow and Lenon, speak only to each other and spend days in the woods away from everyone else. Not only that, Melanie had seen the brother and sister sleeping in the same bed together, huddled together like lovers. And then there is Alice. Admittedly, she has made their cottage into a little home but aside from that she is not engaging with him or even their neighbours. In fact, she seems to disappear for hours at a time on her own. Only Gabe Hadley and Melanie seem to be on board with this new life. Gabe has built sheds from bits of tin and timber to store their wood for the next winter, while he has been showing Melanie how to make snares to capture rabbits for their meals. Harry feels sure that the others will come round to this new and pure way of life. Or will they?

Back on the mainland, Carrie and Paul have received reports of the Hadley twins going missing and that of Melanie Wilson from their respective schools. When they arrive at the Hadley home to investigate, they find it locked up and abandoned, with the entire family leaving early one morning some weeks ago. Where were they going and why leave under the shroud of the pre-dawn? Were they running from something? Carrie tasks Paul with looking into the Hadley's lives in the hope of uncovering any answers.

Before they have a chance to investigate Melanie's disappearance, they receive information that Melanie had been present when Kelly Prout was attacked and endeavour to question the girl's mother as to why she didn't tell them about it at the time? Whether it made a difference or not at the time, who knows, but what they do know NOW is that Melanie is missing. Did it have something to do with the assault on Kelly? And how was it linked to the Hadley twins disappearance?

Interwoven throughout the story, in alternate chapters, are flashbacks of Carrie and her 6 year old sister Hattie on the day of Hattie's disappearance for which Carrie has always blamed herself. Their mother insisting Carrie take her sister, her promises to see the horses, the long walk to the park as well as Hattie constantly asking for ice cream. We see the lead-up to Hattie's disappearance to when suddenly she is gone.

Whilst investigating the case of these missing children and the possibility of a paedophile in the area, Carrie finds herself haunted by the flashbacks and the nightmare of her sister going missing. But it's her darkest secret she must draw on to help her find these children, as they try to locate the Hadley twins and Melanie and her family.

I thoroughly enjoyed THE QUIET GIRLS far more than the first book, probably because we are given more insight into the 20 year mystery of Carrie's little sister's disappearance. In it we have a little bit more closure, though not completely, which again is frustrating though I hope Jeanette ties those loose ends up for us with the next installment.

What I especially love about this series is that the entire focus is not on the police investigation. In fact in some cases, the investigation takes a backseat to the bigger picture but without overshadowing Carrie and her partner Paul. I find a glimpse into each aspect gives the story more depth.

There is one aspect that didn't sit right with me and that was the ages of each of the "potential" victims of the paedophile. The despicable nature of such crimes notwithstanding, there is an age preference to these people, and yet the ages in this book ranged from young child to pre-teen to adolescent which is not how they work and isn't completely accurate. I felt lumping all ages together was like saying all Muslims are terrorists and all dog attacks are by staffies. It's like I like milk chocolate yet my husband likes white chocolate. It's not a technicality, it's a fact.

Although this is the second book in the series, THE QUIET GIRLS can be read as a stand-a-lone quite easily, but I think you'd be missing out if you didn't read "The Night Caller" first.

I look forward to Carrie Flynn's third outing with her DC, and maybe a loose end or two tied up a little neater to give the rest of us a kind of closure. Definitely recommend!

I would like to thank #JMHewitt, #NetGalley and #Bookouture for an ARC of #TheQuietGirls in exchange for an honest review.

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